Review: Crossing by Andrew Xia Fukuda

Title: Crossing
Author(s): Andrew Xia Fukuda
Genre: (YA) Mystery, Suspense, Coming-of-Age
Page Count: 213
Publisher: AmazonEncore

I received an ARC from the publicist.
The Summary: A loner in his all-white high school, Chinese-born Xing (pronounced “Shing”) is a wallflower longing for acceptance. His isolation is intensified by his increasingly awkward and undeniable crush on his only friend, the beautiful and brilliant Naomi Lee. Xing’s quiet adolescent existence is rattled when a series of disappearances rock his high school and fear ripples through the blue collar community in which he lives. Amidst the chaos surrounding him, only Xing, alone on the sidelines of life, takes notice of some peculiar sightings around town. He begins to investigate with the hope that if he can help put an end to the disappearances, he will finally win the acceptance for which he has longed. However, as Xing draws closer to unveiling the identity of the abductor, he senses a noose of suspicion tightening around his own neck. While Xing races to solve the mystery and clear his name, Crossing hurtles readers towards a chilling climax.

(from the backcover)

The Review:While I don’t think this book is marketed as a YA novel, I think it will do well among the YA reader circle. The raw emotional experiences shown to us through Xing’s narration can resonate well with anyone who remembers high school, its isolation and the wish to fit in. The requisite love story and dreams of our underdog taking the singing lead will also ring familiar and true to those who enjoy their YA high school setting stories. And I believe that those who loved Justine Larbalestier’s Liar will enjoy the way this suspenseful story, for we once again get an unreliable narrator telling the tale, but not because Xing is a liar. Xing, instead, comes across as unreliable because he does not speak out for himself. He unravels his side of the story in the narration, but he never defends it wholeheartedly, letting other people’s assumptions dominate. It gives the readers the choice of who you are going to believe is telling the true story of events. I found this unreliability in the narrationf very interesting, because the whole time we can feel Xing seeking validation: for his innocence, for his potential to be more than the stereotype. But when it’s not given, he crumbles, and lets others and their opinions take over. It’s painful to watch, and it made Xing feel so real to me.

I’ll confess that I have no handle in the whole mystery/suspense genre. I suck royally at guessing who is the real killer and all that jazz that goes with this genre. Instead, I connected very deeply with Xing’s emotional development and his desire for his singing talent to be recognized. For me, this book was all about the broken, failed American Dream. How the promises and dreams that lured in immigrants failed spectacularly for Xing and his future. Xing had all this potential, was depicted as such a happy kid before arriving in the States, and all his painful experiences shattered him, ruined his voice, and how absorbing all that hate directed his way for simply looking Chinese with the wrong accent warped and changed him.

All the reflected experiences of growing up as an Asian immigrant felt extremely familiar to me. This is not saying that my experiences as a Chinese-Canadian is the same as the one depicted by Xing or by the one another Chinese character in the school, Naomi, as the experiences of Asians in North America are varied and diverse, but there is that thread of familiarity that struck real for me. For instance, the description of accents: “Her English was Julie Chen perfect; mine was Jackie Chan cumbersome.” (5) I could literally hear exactly what Fukuda meant by the difference in their accented English, and feel that chasm of difference it makes between the two, how the way you talk can make the difference between peer acceptance or ostracism. There is that fine line you have to thread, to look and speak a certain way so that you are “Canadian” or in this context, “American” enough, and when you fall too far away from this line standard you become too ethnic, too Chinese, too Other, the perpetual foreigner. Xing’s struggle with that fine line resonated deeply with me, and it made all his failed dreams in America hurt that much more. Every time we got a scene wherein Xing wished to look white, to have those blue green eyes and blond hair, how he equated that with acceptance, it stung raw because that could be my brother, my sister, my cousin, any of my Chinese-Canadian friends growing up who didn’t feel like they belonged enough.

Also, more of a sidenote, but I really liked the author’s choice of giving his narrator the name Xing Xu. I suspect the use of “X” in the name is very deliberate on the author’s part because it’s one of the transliteration of Chinese-to-English that gets most of your (white) teachers/authorities baffled and confused, resulting in very embarrassing but also very common attempts at pronunciation of your name during roll call in front of the classroom for the world to hear. It’s not uncommon to see Chinese immigrants adopted “English” names, and I appreciate how this detail was woven into the story, the roll call experience of getting your name butchered and asking to be called something else instead to avoid this. (fyi, Xing asks to be called Kris in this situation.) What I mean to say is that the details of Xing’s Chinese-American experience is so precise and woven in without making it the big moving storyline of the novel, and it was really nice to see.

The Verdict: An amazing read. Readers who enjoyed books like Liar or works by Robert Cormier should run to grab a copy of this novel. You’ll connect deeply with our narrator’s psyche, and I personally can’t wait for future projects by this talented new voice in the publishing market.

Rating: 4.5/5
Enjoyment: 100%

Cover and Title Discussion: I liked the idea of the shadowed silhouette within a snowy scenery, as snow and winter features prominently as a motif in this novel, but I suspect if ever the publishing house wishes to repackage this novel as YA, they’ll need a flashier cover. Also, I thought the red star could have been incorporated better. The title font is okay, but I thought the positioning of the title was awkward. Same goes for the author’s name. I also suspect that I’m too fond of the old cover concept that was released a while ago, one with the dual image of one closed eye with tears running down, but when you look closer it’s footprints walking into the snow. *shrugs* Oh well, there’s nothing terribly wrong with the cover design as a whole, but it’s also not particularly eye-grabbing either. As for the title itself, I thought it’s okay, but also kind of easily forgettable. I confess that when I recommend this novel I forget what the title of the book was, and would refer it to people as “that debut suspense book by the author Andrew Xia Fukuda” (I remember author’s names better than titles, usually) instead.

Cover: C+
Title: C+

ETA by popular demand, this was how the old cover looked like. Feel free to tell me what you think.

Review: A Spy in the House by Y.S. Lee

Title: The Agency: A Spy in the House
Author(s): Y.S. Lee
Genre: YA historical mystery
Page Count: 335
Publisher: Candlewick

Disclosure: Review Copy sent to me by Sarah Rettger
The Summary: Rescued from the gallows in 1850s London, young orphan (and thief) Mary Quinn is surprised to be offered a singular education, instruction in fine manners — and an unusual vocation. Miss Scrimshaw’s Academy for Girls is a cover for an all-female investigative unit called The Agency, and at seventeen, Mary is about to put her training to the test. Assuming the guise of a lady’s companion, she must infiltrate a rich merchant’s home in hopes of tracing his missing cargo ships. But the household is full of dangerous deceptions, and there is no one to trust — or is there? Packed with action and suspense, banter and romance, and evoking the gritty backstreets of Victorian London, this breezy mystery debuts a daring young detective who lives by her wits while uncovering secrets — including those of her own past.
--From GoodReads.com

The Review: Woah, where to start? I love this book, and I’m not confident that this review will do the book just. Well, first things first, as I suspected from following Y.S. Lee’s blog tour, the setting was AMAZING. I felt like I was transported in time to 19th century London. Everything felt so tangible, the grime and stink and grit of the city, and the house Mary was assigned to just felt so real, like I could imagine myself walking through its kitchen and corridors and what have you. Best of all, the setting felt like such an integral part of the story, a story that couldn’t take place anywhere but in that time period and in that city, that context. It’s not just, you know, Victorian window dressing to make everything look pretty and get an excuse for the ladies to wear pretty frocks. I wish more historical novels set in the Victorian era read like this book.

I’ve seen quite a number of reviews giving attention to the banter between Mary and James, saying that this is their favourite aspect of the novel, and while I too enjoy good banter (and the ones between Mary and James were really good), those didn’t make the novel for me. I mean, I do like the Mary and James interaction because they were just really well-written and fun, but this wasn’t an aspect of this novel that made the reading experience so memorable for me. Nor was it the mystery aspect, as I confess I have absolutely no taste or sense for mystery/detective written narratives. Some of the stuff that really stuck out for me was not really mentioned in the reviews I have read, such as the basic concept of the Agency Lee brought in. I love the idea of an all-female intelligence force giving opportunities to young women in Victorian England who may not otherwise have access to. It’s such an interesting and empowering aspect into the story, and I kinda wish we got to have a story that took place IN the school, a bunch of girls gathered from all walks of life learning and dreaming for a future in a kind of Victorian boarding school way. (This is because I am partial to school setting narratives) Anyhow, what I’m trying to say is that the concept of the Agency really appealed to me, and I hope that the workings of the Agency gets fleshed out as we get more books in the series.

The other thing I really like about this novel was just Mary herself. I found her fascinating and relatable, a really interesting yet flawed character. It’s been a while since my favourite character turned out to be the narrator of the whole story, and it’s really nice to always be on the narrator’s side for once, lol. I liked her brashness, her wit, how she takes action without always thinking things through clearly. I also liked that, even though she’s not exactly the conventional leading lady for a Victorian England setting, Mary still fits into the historical setting without feeling like a “modern” day woman transported in time. Mary, despite not being conventional, is still very much shaped by the Victorian era she lived in, and I appreciate that. I enjoyed all her interactions with the rest of the cast. There’s a nice amount of character development in this book, wherein people change as they encounter and talk with others, and getting to see all of this from Mary’s perspective was lots of fun. Not only did we get to see other people change, but we can also pick up on the subtle changes in Mary that she herself may not realize as of yet. In fact, I must confess, the most memorable character interaction scene was not between James and Mary, but this one scene towards the end, with Angelica as they talked about what they want and their futures. In fact, my favourite line came out of that scene! “It’s terrifying to be on the verge of finally getting what you want.” (pg. 281) You know that moment when something you’ve hoped for seems finally possible to attain, how it’s kinda scary but amazing all at once? This moment of interaction just brought back all those emotions: of self-reflection and hope and a dash of fear for the unknown. (I do know that this comes up with Cass too, but I happen to like this moment of interaction more. I suspect because this one was more dialogue-y?) I really liked seeing how Angelica grows in Mary’s eyes, from the spoiled sullen girl she was assigned to, to the lady with a goal to fulfill.

I liked how Y.S. Lee handled the passing aspect as well. Will not go into details about this as it’s spoilery, but I enjoyed slowly finding out more about Mary’s murky, hidden past, and I hope we get to see more of this family exploration in the next few books. The writing of the novel was fluid and accessible, almost deflecting attention from itself so that the reader can concentrate on the many plot twists thrown our way, which is very helpful. The ending left me satisfied yet wanting more story, new adventures for our leading lady Mary Quinn. (WHERE IS THE CIGAR BOX?! I MUST KNOW. *whimpers*) The sequel just can’t come out fast enough.

The Verdict: Excellent book, and I think everyone should give this novel a try. It was an engrossing read, with a lead character you can root for with all your heart, an interesting premise, and a nice heavy amount of twists to keep mystery fans pondering. I, personally, am dying for the sequel. Is it August yet?!

Rating: 4.5/5
Enjoyment: 100%

Title and Cover Discussion: I know technically this book is called The Spy in the House and the seriesname is called The Agency, but I keep calling this book the Agency in my head. I suspect I’ll start properly calling it The Spy in the House once the sequel comes out though. As for the cover, I’m a bit ambivalent. Passing is a bit complicated to portray when we have face covers, but getting a white model (I think the model is ‘white’? Feel free to correct me) to portraying a passing protagonist is rather problematic. I'm informed that the model is indeed of mixed heritage. I suspect this cover would work better for me if it was an illustrated cover instead, but oh well... It’s visually appealing, I’ll admit. Skipping out on ratings because I’m ambivalent about how I’d rate them. =D