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Showing posts with label genre: family. Show all posts
Showing posts with label genre: family. Show all posts

Sunday, June 27, 2010

Review: Wait For Me by An Na


Title: Wait for Me
Author(s): An Na
Genre: YA Contemporary, family, romance
Page Count: 192
Publisher: Speak

The Summary: Teenager Mina plays the Perfect Straight-A Model Asian daughter, but she knows more than anyone that this is a lie, and her chances at getting into Harvard are basically nil. Suna is Mina's deaf sister, dependent on her sister and starving for a glimpse of any affection from her mother, who leaves her in neglect. The presence of Ysrael, a new employee into their family's laundromat brings about a whole new chain of events as the two start cracking the mold they fit into their lives...

The Review: Wow, this is a complicated book to review. Let me say first that above all else, this novel haunted me. Having read An Na’s The Fold before, I came into this book not quite prepared for this much darker tone presented in this novel. I’m not sure whether my emotional response had more to do with Na’s writing or simply her subject matter, but the story and Mina’s voice lingered long after I put down the book, always at the back of my mind.

Monday, May 17, 2010

Review: The Demon's Covenant by Sarah Rees Brennan


Title: The Demon's Covenant
Author(s): Sarah Rees Brennan
Genre: YA Supernatural, Family, Romance
Page Count: 440
Publisher: Simon & Schuster

The Summary:Mae always thought she was in control, but in the past few weeks control has turned into chaos. She’s learned that her brother Jamie has magical powers and that Gerald, the new leader of the Obsidian Circle, is trying to persuade Jamie to join the magicians. The same magicians who tried to kill Mae and Jamie last month in London. The magicians who get their power by feeding people to demons.

Mae turns to brothers Nick and Alan to help her rescue Jamie, but they are in danger themselves. Every magician in England now knows what Nick really is—and they all want him dead.

Nick’s new power has also caused a rift between the brothers. In the weeks they were gone something terrible happened, something that haunts them both. With Nick as unreadable as ever and Alan making secret bargains with a demon, Mae finds herself attracted to both brothers—though she knows she can’t trust either of them. The magicians are closing in on one side and the dangerous, seductive Goblin Market is tempting her on the other, and Mae has to form her own plan to save them all. She's going to find that the price she must pay is more than she ever imagined.

The covenant is binding. There is no escape.

- From US Hardcover

Note: This is a second book in the trilogy. I've done my best to omit spoilers for both the First and Second book in this review, but there are some hints for one of the big reveals for the first book. If you're a complete spoiler-phobe then please proceed with caution.


The Review: Before I begin, I think I ought to confess how this book utterly ruined my week. People, I had plans. I was going to write up multiple reviews here, do more memes, leave comments on posts, go out into that big blue room with the giant yellow fireball in the ceiling and actually socialize with friends and family, but no, ever since I read The Demon’s Covenant last Tuesday, I could think of nothing else. I cancelled all plans, my to-read posts on google reader is at this atrocious triple digit number, and basically I’ve neglected everything just so I could read this book over a total of four times in six days and a small part of me whispers that if I didn’t have to spend a good chunk of my day going to work, the reread count would have at least been double. I even loved this book so much that I went and dug up a copy of the FIRST book to reread as well. (For the record, I reread it twice in these six days. Apparently my revelation for the week was that a day not reading SRB’s writing was a day wasted.) I harassed my family with constant squeals and sighs as I made a public spectacle of myself going all emotional over the book, roping my siblings into listening to various passages I re-enacted for them, whipped out the book from my purse (yes, I lugged that hardcover book everywhere with me) to wave its gorgeous cover in front of the faces of my friends, and even called a friend long distance the second she told me she finished the novel so that I could TALK ABOUT THIS BOOK with someone. This is the kind of sequel that makes the first book a better rereading experience. In fact, this is probably the most amazing sequel book I’ve ever read, and just a really amazing YA book overall and I love it to bits and it’s going to make it on my top 20 books I read this year, I know it, I can feel it in my bones.

I was actually surprised that I loved this book so much, because I wasn’t wow’ed by the first book. I mean, I really enjoyed it, but it wasn’t my favourite read of the year or anything. The first book had its moments of emotional intensity, and a really fast paced plot, (It reminded me of The Hunger Games’ pace, but with a much more careful eye at her choice of words, and interesting metaphor usage. Yes, I am indeed implying that Sarah Rees Brennan writes better than Suzanne Collins.) but for the most part I was mostly swept by apathy towards all the characters unless their name was Alan or Nick (For the record, I liked Jamie’s lines, but I didn’t get attached to his character like the way I did with Alan or Nick.). In many ways, Nick’s world was very small, with very few people he considered important in his life, and this apathy towards anyone who wasn’t his brother was reflected throughout the writing of the first book and ended up generating a lack of story connectivity for me unless it was an emotional moment between the brothers. I also found the dialogue rather forced, with Nick’s lines trying a little too hard to be sarcastically funny (which looking back, I think was on purpose as it was Nick’s way to try to make Alan happy, but I didn’t see it this way a year ago) and the worldbuilding wasn’t to my taste. (Briefly, I prefer my fantasy based strongly on a body of related folklore/mythology instead of a mishmash of different myths/stories mixed together, and the magic here, while neatly laid out, feels a little flat in its tidiness and simplicity.)

The world building still isn’t to my taste, to be honest, but I don’t care about any of that because, my gawd, the characters just blew me away here. I was doubtful about this character POV change to Mae, whom I had a mostly reserved reaction to in the first book, but this story from Mae’s POV was so good . It gave me all the very human moments that neither Nick nor Gerald (who was also considered as a possible narrator for Book 2 and I praise the heavens that this didn’t happen) could have provided, and I got her now, understood her in the ways I couldn’t gleam out of Nick’s narration in Book 1. Mae is totally a female protagonist you can root for, determined and good hearted and funny and all-around fun, and how she doesn’t sit around being a passive narrator and takes measures into her own hands. I’m sorry I doubted the strength of Mae as a narrator for even a second, or Sarah Rees Brennan’s ability to make her sympathetic. Because if there is only one thing I could name in terms of the author’s strengths in her writing abilities, the first and foremost thing that comes to mind is her way of drawing her characters so vividly, through amazing interpersonal character interaction that not only brings out the protagonist’s characteristics, but the other person she’s interacting with as well. Mae’s POV illuminated the very raw and achingly beautiful brother relationship between Alan and Nick that was different from the first book, but in no way less powerful. I love how we got to really know a good slew of people in this novel that we didn’t get in the first book, and there was none of that character disconnection I felt in the first book, which I believe probably stems from the fact that Mae herself is anything but apathetic towards the people she meets and interacts with around her. The experience of reading this novel was just so intense, because you feel like you really got these characters, and you care so much and there’s so much stuff happening and thrown at the character’s way, and you want everything to work out so bad. I wish I could explain this ability of Sarah Rees Brennan’s more clearly, but I’m not skilled enough with my words to do so, and instead I’m going to direct you this reaction post to The Demon’s Covenant that explains the character interaction thing in this novel much better than I have done here.

A large part of The Demon’s Covenant dealt with the idea of consequences. To the best of my abilities in talking about this without spoiling, in the first book people were willing to do the “wrong” thing to “protect” the important person in their lives, and in the second book, it deals with what happens after you do the unforgivable thing. Sarah Rees Brennan doesn’t hesitate to blur the line between Good and Bad, complicating her characters with varying shades of grey, and I really enjoy that, how not only does she challenge the rights and wrongs but is willing to take this a step further and examine the good/bad decisions her characters have made.

I really, really love the theme of family in this trilogy. Of course Nick and Alan was very lovely, and my fondness towards darling lying Alan continues to grow. I really enjoyed seeing the sibling interaction between Mae and Jamie, as a lovely contrast to Nick and Alan, and of course on its own right. It’s nice to see siblings in YA novels who don’t hate each other or the stereotypical Annoying Younger Sibling vs. Distant Older Sibling. I mean, they fight, but they love each other, the kind of family bond siblings share, and they always come through for each other no matter what. I'm so glad we got a better handle of Jamie in this book, because while I liked his lines in the first book, I didn't feel like I really got to know him. All that is rectified in this book. I loved how he was gay without making the whole coming out and what not stuff a Big Issue and he gets a love story and everything, and it was just really, really well done and I want him to be happy. I also enjoyed Mae’s interactions with her mother. Mae’s mom is seriously badass. I may have been a little in love. Actually all the women were rather badass in this novel. No helpless damsels as victims here. Sin in particular was my favourite. (Who is gorgeous and a dancer and an older sister and good with knives and incidentally biracial in the Not Making Race A Dominant Part of Her Identity way and will be the narrator of the third book! So excited!)

I also loved the string of makeout scenes in this novel, but that may be influenced by the fact that I am shallow. Also these kissing scenes were just really hot and sizzling in general. Mmmmmm... *coughs* Er, the fight scene was brilliant too! Very intense, especially the one on the bridge. The dialogue here was much smoother and flowed well to boot, and this book made me laugh and gush sniff and broke my heart and brought it back together all at once. I honestly can’t recommend it enough.

The Verdict: If you’ve read the first book and haven’t put the second book on your to-read this 1) there is something very wrong with you and 2) RECTIFY THIS TERRIBLE AND HEINUOUS ERROR OF YOURS NOW. If you’ve haven’t read the first book, read that first, and then run immediately to grab a copy of the second book. Theorectically I suppose you could read the second book without having read the first, since there’s enough context to pick up what’s going on without getting too lost, but it spoils the first book terribly and the experience of reading the first book would be utterly ruined, so I don’t suggest this. This is one of those rare special sequels that not only tops the first book in every way, but makes the first book better by proxy, and you’d be missing out if you skip out on reading covenant. Plus, the US version is all repackaged with a new gorgeous look with some amazingly beautiful cover models, and HOW CAN YOU RESIST THAT. Dark, intense, funny, and heartwrenching, the story will stay with you long after you’ve finished reading it. And it'll also make you want to commit ritual sacrifices to get your hands on the third book.

Rating: 5/5
Enjoyment: Look, I’ve read this over FOUR TIMES already since having bought it less than a week ago. If this doesn’t make it obvious that this is the book I enjoyed reading the most so far this year, I don’t know what will.

Title and Cover Discussion: EVERYTHING ABOUT THIS IS BEAUTIFUL. EVERYTHING. I’M SO HAPPY THE US COVERS GOT REDESIGNED. I am in love with the font style and colour choice, the dynamic movement of the models, the beautiful blue flames of beauty, the twirling white dress. I am no longer jealous of the UK covers, as this beats the UK version, hands down. I loved it enough to pay full price for the hardcover, which I wasn’t supposed to do since I’m making an attempt to “save money” but I couldn’t let the precious book out of my hands. (I do miss the secret cover of the first US hardback though, as I was kind of hoping for the same thing with the second book, but blue flames make up for everything.) Although now I’m all ~*conflicted*~ since I don’t have matching covers and I want a matching set for this trilogy and don’t know whether or not I should go and collect this trilogy with the UK covers or US, but I am thoroughly off topic by now so I’m just gonna shut up and give this whole package an A

Title: A
Cover: A+++++++++++++++++++++++++++++++++++++++++++++++

Sunday, May 2, 2010

Review: Split by Swati Avasthi


Title: Split
Author(s): Swati Avasthi
Genre: YA contemporary, family, abuse
Page Count: 280
Publisher: Alfred A. Knopf

The Summary: Sixteen-year old Jace Witherspoon arrives at the doorstep of his estranged brother, Christian, with a re-landscaped face (courtesy of his father), $3.84, and a secret.

He tries to move on, going for new friends, a new school, and a new job, but all his changes can't make him forget what he left behind. His mother is still trapped with his dad. And his ex-girlfriend is keeping his secret--for now.

Turns out there are some things you can't just walk away from.

Swati Avasthi gives us a riveting portrait of what happens after. After you've said enough, after you've made the split--how do you begin to live again? Readers won't be able to put this intense page-turner down.

--from the cover flap

The Review: I fell deep into this novel from page one. The thing I really enjoy in YA lit is that a lot of them take you deep inside the character’s psyche, and this novel delivers on this aspect in spades. Perhaps it might seem problematic, to identify so much with a bruiser - because, make no mistake, our narrator Jace does show signs of abusive behaviour – but I really appreciate the way the author handles this, getting us to fall in love with Jace while calling out his behaviour, and saying outright that it’s wrong. Too many times have I seen the boyfriends of YA lit showing “bad boy” abusive tendencies, that we are supposed to accept solely on the fact that he is the Love Interest, and can’t do wrong. This take on the bad boy is very refreshing.

And to look at the flip side, I also appreciate the fact that we get sensitive portrayals of Jace and Christian’s mother, who has stayed with their father for a very long time. There is no “Why is she still with him?” victim-blaming questions, but probes deeper, fleshing out her personality, her ties with her sons, and we readers get a realistic portrayal of their mother, her psyche. There are not inherently good or evil people: there is wrong and right actions, and owing up to what you have done wrong. By portraying her characters in this light, Avasthi makes her cast intricately complicated, and also that much more human.

I really liked Avasthi’s take on the meaning of family in a broken household, and the interactions between the two brothers in particular. In Sarah Rees Brennan’s post about this novel, she gives us a nice sentence on the deep probing Avasthi delves into in the interactions between the two brothers – one who stayed and one who ran away from home. “It isn’t a question of what you sacrifice, with family – it’s a question of who you sacrifice, and the answer is someone you love.” There’s that tension when these two severed brothers meet again, of not knowing where you stand, of tenderness towards familial ties. It was a relationship that was without a doubt, severely broken, but I as a reader found myself willing for things to work out, hoping desperately as I flipped through the pages.

This novel is one of those extremely character-driven types (ie. the ones I enjoy very much), and we spend all our time in Jace’s head. Honestly, I wouldn’t have it any other way. He was a very raw, intense character, and you can practically feel his anger bubbling on the edges, and with Avasthi’s deft hand she paint his narrative in a sympathetic fashion. I don’t believe I must agree with all of the protagonist’s actions or that they must be a good, upstanding person in order for me to enjoy their narrative; all I ask is that they have strong, convincing personas that fly off the page, and Jace fits this bill in spades. Of course, as we are in Jace’s head so much, we don’t really have a sense of the characters in the periphery, but the characters we do get to see are deeply complex and believable, whole beings.

Okay, let’s talk about the women! I love the women that surround Jace’s narrative. Both Jace and his brother are drawn towards “strong” women, ones who stand up for themselves, and I’m all for it. The women here aren’t, you know, the trophy love interest, their reward for being the Big Damn Hero, but fully fleshed out characters who not only interact with our boys, but react back. As much as this is very much a book about a boy, it is also about a boy who has significant interactions with other human beings, a lot of which are made up of women. This is no All-Boys-Exclusive-Adventure novel that forgets half the world’s population, and I’m all for it. I really enjoy watching Christian and Mirriam interact. Can I say how much I love Marriam? I mean, she’s not perfect, she’s bossy, and always sticks her nose into places, but she’s also very sincere, and does her best to help people. (Actually, she kind of reminded me of Hermione from the Harry Potter series, except, you know, an adult version who is less of a bookworm, in a mature relationship and of South Asian descent. AKA she is much cooler) I also liked how she was ethnically Asian and it wasn’t like, a big deal or the focal point of her existence; and how she didn’t feel like a token POC character (even though she is the only one who is explicitly stated in the text to be POC) because she was a very well-rounded character with agency.

I also really like the budding relationship between Dakota and Jace. It was kind of sweet and awkward in the will-they-won’t-they aspect, and I just enjoy seeing Jace’s joy around Dakota, hanging around her solely because he likes being next to her and how they go around being cute together over photography and dances and whatnot. I think a lot of his interactions with Dakota are him trying to start over for himself, changing the direction of who he can become into something better. I like how it’s not easy, but how sincere Jace is, how hard he is trying.

I personally had no pacing issues with this novel, but I’m starting to acknowledge that any concerns over pacing flies out the window for me when I get engrossed in a character-driven novel. With these types of books, the pacing could be all over the place, but I wouldn’t care a smidgen because I would be so in tune with the character’s mindset and character development starts to take precedence over any concerns over objective analysis on the sequence build-up. In other words, take my words on the pacing in this novel with a grain of salt. What I can tell you though is that Avasthi builds up character development very skillfully not only through character interactions, but in weaving key flashbacks into present events at opportune moments. Nothing felt out of place. As much as this novel explores dark issues and broken families, it is also a tale of hope and change. The ending was utterly satisfying, and I am looking forward to new works by this promising new voice in the YA market.

The Verdict: A dark, emotional, and ultimately uplifting novel that will grab readers by the heart. Our protagonist Jace is a compelling and strong voice that will captivate YA readers as they experience his struggles and pains. The character interactions are brought vividly to life by Avasthi’s talent as she asks probing and important questions about domestic violence and abuse. This novel will make you think, laugh, cry, and root for the characters with all your hearts. Highly recommended, especially to those YA readers who like their contemporary lit fare on the “edgy” side of the spectrum or those into character-driven storylines.

Rating: 4.5/5
Enjoyment: 100%

Title and Cover Discussion: I think the title is serviceable, but not particularly memorable. However, I confess that I am biased against one-word titles, my lack of enthusiasm may be influenced by this factor. With the cover, it looks very plain on the surface, but what I find interesting is the dual image of the two figures in profile if we look at the sides. I think the keys and character side profiles is a very interesting cover concept, but I’m afraid that it’s not the most polished cover execution. It’s a little too rough around the edges for my liking. In other words, there’s nothing wrong with the title or cover, persay. It’s just that I don’t find them particularly grabbing, and if I passed this novel by in the bookstore without prior knowledge of it, I may have just passed over it.

Title: C+
Cover: B

Saturday, April 24, 2010

Review: It's Not Summer Without You by Jenny Han


Title: It's Not Summer Without You
Author(s): Jenny Han
Genre: YA Coming-of-Age, Romance, Family
Page Count: 275
Publisher: Simon & Schuster

WARNING: Spoilers for Book 1

I received an ARC from a contest.

Summary: Last year, all of Belly's dreams came true and the thought of missing a summer in Cousins Beach was inconceivable. But like the rise and fall of the ocean tide, things can change-just like that. Suddenly the time she's always looked forward to most is something she dreads. And when Jeremiah calls to say Conrad has disappeared, Belly must decide how she will spend this summer: chasing after the boy she loves, or finally letting go